31 January, 2014

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THAI MARKET


15" x 11" PEN & WASH. Had a stab at this painting at the art club tonight. The original was done superbly by the artist Direk Kingnok, a magnificent watercolourist from Thailand. Mine is majorly pathetic by comparison, but I had fun doing it and learned little bits.


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MR DARCY


16" x 12" OIL. Allow me to introduce Mr Darcy! He is a Boston Terrier and belongs to my sister. The most notable feature of these dogs (IMHO) is the bulging eyeballs and I have accentuated that feature in a comical way. I spent quite a bit of time staring at this painting, wondering if it was finished. I feel that maybe I should carry on with lots more brush marks to give it a more "sketchy" feel, but I don't want to risk ruining it because my sister (and her family) like it as it is.




26 January, 2014

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THE SQUARE


11" x 7" WATERCOLOUR. I started this sketch after looking through one of Judi Whitton's books about painting loosely. I did a rough sketch and set about with the idea of just 'dropping in' touches of colour here and there. Suggestions! Hmmph! That didn't work out as usual, because my stupid brain just tells me to fill everything in. What an idiot!

Judith Farnworth saw the image on FaceBook and very kindly sent me an encouraging PM along with some hints and tips, so I'll give it another go in due course :-)


24 January, 2014

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WATERCOLOUR DEMO

After the success of painting 'Frank' the Boxer dog, I decided to have a stab at another dog painting, but this time I thought I'd film it so that I could post a video on YouTube for the benefit of rank beginners. I should have known better because the finished painting was nowhere near as good as 'Frank'. It all went pretty pear-shaped. Irrespective of the failed painting, I thought I'd post the video anyway :-)



23 January, 2014

TRAVEL BRUSHES

Escoda Kolinsky Sable Travel Brush

I have a JFW Studio Palette made by The Little Brass Box Company and struggled to find suitable brushes for it. The problem is, of course, that when in transit, the brushes slide up and down in their tray and the hairs become misshapen which results in damage to expensive brushes.

Originally, I'd had a set of W&N Series-7 brushes in the tray and could now kick myself because a couple of them were spoiled. Once I realised what was going on, I started to insert a sponge which trapped the brushes in place when the lids were closed but even that only prevented movement if the box was transported carefully.

The eventual answer came when I spotted some Travel Brushes from Ken Bromleys in Bolton. They were made by a company called Escoda who are endorsed by none other than John Yardley and they're made from Kolinsky Sable. They come in light metal tubes and can quite literally be thrown about inside a paintbox or bag without any fear of damage. Most travel brushes are limited by the fact that you need them to dry out very thoroughly before putting them away, but luckily, the Escodas have a ventilation hole in the end so that you can close them up without worrying too much. Obviously, you would need to remove as much moisture as possible before storing, but there isn't the same worry of mildew forming as there is with other designs. Irrespective of the ventilation, it's always a good idea to dry them when you get home.

In use, the protective cover tubes form part of the brush handle and you end up with a very comfortable length and don't feel like you're having to compromise. The brushes hold a good amount of water and quickly come to a point. The range includes sizes 2,4,6,8,10 and 12, although they seem a little smaller than other brushes of the same marked size. A full set at Ken Bromley's costs less than £70. Now that's a bargain!!

I like them so much that I often find myself reaching for them in the studio as well as outdoors.


I also have a set of  Winsor & Newton Series-7 Retractable brushes in a small Field Box. I bought them years ago and although they're very neat, they're not the slightest bit comfortable to use. In fact, when using them, there's a tendency for the brush to start retracting! They're very annoying but I can't throw them away (or even bring myself to sell them), LOL.




In my Craig Young palette, I have a set of DaVinci Maestro Travel Brushes. Now these are quite good in that the protective tube screws firmly to the brush, forming a good handle. The only down-side to these Kolinsky Sable brushes is that it can be a bit of a pain putting the brush back inside the tube. There's always the risk that you might catch a hair or two and bend it backwards. I've done that a couple of times and have been lucky enough to notice - otherwise it would have buggered it up. Also, they only have a tiny ventilation hole so I always have to let them dry out thoroughly before storing.



Finally, I've also got a set of Pro Arte Travel Brushes that I keep at my caravan. Unfortunately, I can't say much about them because they're not here and I haven't really given them much use yet.


15 January, 2014

73 of 86

FRANK


15" x 11" WATERCOLOUR. Here's something I knocked out tonight in less than an hour. Quick sketch with big, loose, sloppy paintbrush to keep things spontaneous. The dog is called Frank and is a white Boxer belonging to some family members on my wife's side, living in Yorkshire. As you can probably guess, the painting is headed there :-)

Within minutes of posting this on FaceBook, I was deluged with messages asking me to paint their dogs. Couldn't believe the response!!!


MORE INSPIRATION

ROLAND HERRERA


I received an email last night from someone called Roland Hererra. He was complimenting my artwork and so obviously, I looked at his webpages and found that this compliment was coming from a very accomplished artist! I browsed through his wonderful watercolours on Flickr and fell in love with his work. There's something very special about it to me and I'll be following his pages closely. Pop by and take a look... HERE.




Roland's main website is HERE.

13 January, 2014

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MORE QUICK SKETCHES


11" x 7" LINE & WASH. Here's another couple I knocked out at last week's Art Club meeting. I've just been looking over my last few paintings and have realised that I'm not really learning anything - I'm so damned lazy - I'm just doing what's convenient instead of what's required!




08 January, 2014

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QUICK SKETCHES


11" x 7" LINE & WASH. These are a couple I knocked out at last week's Art Club meeting...



29 November, 2013

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SUPERB STARLING

11" x 7" LINE & WASH. When I say "Superb Starling" I'm not complimenting myself - that's the name of the bird in the picture, lol. This was a quickie for the SAA's Weekly Competition (Wk8). Did it tonight at the art-club.



05 November, 2013

67 of 86

MARQUEZ, ROSSI & MORRIS

15" x 11" LINE & WASH. This was just a bit of fun aimed at my mate who's just started racing his CBR600 having been assigned the Racing Number 14. It only took an hour.


03 November, 2013

66 of 86

MARKET DAY

11" x 7.5" LINE & WASH. I did this one over the weekend while chilling out at the caravan. Well actually, I'd started it at the Art Club on Friday night but never got around to finishing it there. The drawing took me AGES and involved more eraser than pencil, LOL. Once I was pretty happy with the outline, I started to go over it with pen and added loads of random detail. Personally, I feel that the drawing is better than the painting. 





65 of 86

CATS EYES

11" x 7.5" LINE & WASH. I found this on Judith Farnworth's Blog and decided ti have a go at it. As far as I'm concerned, Judith's is FAR better, but she got in touch with me on FaceBook and said she actually preferred mine!! That's a massive compliment coming from such a great artist. Well chuffed!



31 October, 2013

64 of 86

VALENTINO ROSSI

11" x 7.5" LINE & WASH. I love Rossi and I've always fancied doing a painting but each time I tried, I always gave in because it was just taking far too long to get the drawing right. This time I persevered. I started by using a soft pencil (and LOTS of putty rubber) until I was happy with it (which took me about 2 hours) and then I went over it with an artist's sketch pen before finally laying on some light washes. I need to go back to it and apply some more blue layers to darken up the bike, but other than that, it's finished. Not totally happy but I think that's because it felt like hard work throughout.



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CLOVELLY, DEVON (again)

11" x 7.5" LINE & WASH. This is my second attempt at portraying the beauty of Clovelly. This time I looked at a different part of the village and included two view. I was quite pleased with the sketch but less so with the washes. I tend to go in with my eyes shut instead of thinking about what it is I'm trying to achieve. Ah well.




30 October, 2013

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CLOVELLY, DEVON

11" x 7.5" LINE & WASH. This particular painting was done in response to the weekly SAA competition. It's nothing like the competition photo, but it is at least a scene from Clovelly. I'll probably do an additional painting that better represents the competition image.



28 October, 2013

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JOURNALS

Rather than keep trying to produce bigger paintings which no one would buy and frame anyway, I thought I'd take a different route to learning and enjoying painting watercolours. I'm going to start to produce a "Journal".

Basically, I'll fill the pages of the journal with random sketches of the things and places around me. Where I go, what I see and generally the things that I'm interested in. To kick it off, I've started with some stuff from my favourite place - The Forest of Bowland. I spend a lot of my time around here and can now add to the enjoyment of it all by sketching.

There's no pressure to produce a masterpiece and therefore the enjoyment of it all is enhanced. Each piece is painted on a piece of 250g Bockingford Rough paper and is sized 11"x7.5" (280mmx190mm).

I paint on BOTH SIDES of the paper and when I've done a few, I'll spiral-bind them to form the journal and will probably include a painted cover. It seems to me that these will then be easily viewable rather than hidden away in a cupboard somewhere. It will also be good to watch myself progress as time goes by (hopefully). As someone said to me, it will be a great aide-memoire! Here's the first 4 pages....









24 October, 2013

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ANNE MORTIMER 

Tonight I had a go at one of Anne's pieces from her blog. On it, she kindly provides a simple outline sketch to make it easy to draw and then a series of photos showing the work in progress. As usual, good artists make it look so simple, but it rarely is! I got bogged down with this one and the background colours went all over the place. 11"x7.5" Watercolour, Pen & Wash.



Same night I also got a text from my sister saying she was having a go at watercolours. She sent me a tiny image via phone and asked me to have a go, so I had a quick doodle and here it is...


18 October, 2013

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SAA WEEKLY COMPETITION

This week's competition is a Scottish scene and rather than jump in head first, I've decided to do 3 paintings and then choose one to submit. These are the first two. Not really happy with them, but getting there.


 1st attempt

2nd attempt

Final attempt.


I like the style of the second one - looks like it's from a journal but I wasn't sure that it would appeal to everyone, so I did another and submitted the 3rd one.



17 October, 2013

CRAIG YOUNG PALETTE BOX

AKA BILLING MUNRO

Yesterday, my Craig Young Palette Box arrived and I quickly filled it with paints and had a play around. I canI couldn't help making comparisons between this and my James Fletcher Watson Studio Palette made by the "Little Brass Box Company" here in the North West UK. I always thought that the Craig Young equipment was the Holy Grail, but having seen one in the flesh now, I have to say it isn't up to the same standard as the LBBC stuff.Why? Well when you hold the LBBC palette in your hand, you are immediately impressed with the whole thing - it just OOZES quality. The outer surfaces hold a rich, deep paint which wouldn't look out of place on the bodywork of a Rolls Royce, lol.  The metalwork is beautifully formed and everything fits together so perfectly. Inside, the paint-wells, are sharp and even, with tidy sealing between compartments. The whole interior is coated in a semi-matte enamel which looks gorgeous, but I must say does stain slightly.  John Hurtley who owns the business and makes all the palettes offers a variety of extras and options. In fact, he even made an inner-tray that I designed myself and delivered it very quickly too!

The appearance of the Craig Young Palette Box is quite disappointing. It just doesn't have the same wow-factor as the LBBC - it seems cheaper - almost like a "fake". This may seem quite harsh, but I'm just giving you my own feelings what's in front of me. No doubt there's thousands of happy CY owners out there who love their palettes.The lid of the Palette Box is only held closed by one central catch and it fails to keep the lid securely closed. The interior is coated in a glossy enamel which I do prefer to the matte or satin coatings. The brasswork which forms the paint pans is not as well formed as the LBBC and the sealing between pans (solder) is quite roughly done by comparison.  
  
I'm very happy (and fortunate) to be the owner of both a Craig Young palette and a John Hurtley palette. I use the LBBC at home and keep the CY at our holiday home. They will both no doubt last a lifetime - and so they should considering the investment required. If you are considering a similar investment, my personal recommendation would be to go to the Little Brass Box Company. The website is not the best in the world, but the workmanship of John Hurtley is absolutely spot on!









Above pic shows the
custom made insert.


10 October, 2013

DON'T THINK ABOUT MAKING ART

ANDY WARHOL




52 of 86

CONVERSATIONS - S.Higton

Last night I struggled for two hours with a painting, all because I'd picked up a watercolour-block which already had a sketch drawn out on it. I didn't want to complete this piece but it was in in my way, so I thought I'd rattle it off quickly. Well, it just goes to show that you should paint what you want and not paint what you don't want! The session dragged along and the outcome was dreadful. Heavy, laboured brushwork, dark, muddy washes and no life whatsoever!

So I tore the paper from the block and threw it in the bin. Then I sketched out this particular scene which I got from one of Stephen Higton's paintings. He painted it in oils and it looked fabulous. I knew mine would be very amateurish by comparison, but if you don't keep trying, you're never going to improve are you?

Here's Mr Higton's beautiful oil painting alongside my watercolour....


09 October, 2013

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SAA WEEKLY COMPO!

A fellow member of the SAA, John Currie, has kicked off a bit of a competition where a photograph is posted and everyone has a go at painting it. This is my attempt. Not brilliant, but I did quite enjoy doing it. The original looks far better than this photo....




UPDATE : This won a little award in the competition :-)



08 October, 2013

50 of 86

EYE EYE!

I wasn't even going to post this train wreck of a painting, but I promised myself I'd do warts and all, so here it is. I'll be having another stab at it soon (or something similar).


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LITTLE PALETTE BOX

This was an easy little 3"x5" colour sketch of one of my favourite subjects. Very simple to draw because it's all straight lines and easy on the eye with all those attractive colours. Might do more like this. It was fun!


05 October, 2013

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JUDITH FARNWORTH WORKSHOP

I went  to paint at the local art club tonight, only to find that there was a workshop running by Judith Farnworth. My mate Brian Waddington had been harping on about Judith's style of painting for ages, so I decided to join in. I'm glad I did, because I picked up some good tips and techniques which stopped me from being so rigid in my work. If you want to see some of Judith's work, visit her website here.


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OLD BLUE EYES

Just a quickie that didn't turn out as I wanted, only because I was dog-lazy and didn't put any effort into it at all. I sometimes seem to forget that I am not a natural at this - I need to stop and think before laying brush to paper!


Our Own Art-Club!

Each Friday we go to the local Art-Club in Horwich. It's a thriving club with a broad range of people of all ages and skill-levels. Apart from the regular painting sessions, we have many professional artists visiting us to demonstrate their skills and to run workshops.

But sometimes, it's nice when just a few friends get together mid-week too, and so here we are in Simon's "studio", benefitting from the skill and experience of his father, Brian Waddington. It looks a bit cramped in there, but we were just huddled together to fit in the photo frame :-)



And you can drink beer in this club! :-)