Professional artist, Mita Higton from Suffolk, very kindly painted two portraits of my beloved dogs Ruby and Lucy. Mita is incredibly talented and you can't imagine how pleased I am not only to own some of her work, but for the work to be based on a subject so close to my heart. Take a look in her gallery by clicking HERE or HERE.
En Plein Air, Painting Daily, Daily Painter, Digital Painting, Painting Ourdoors, Pochade, Pochade Box. Email me : tommcquiggan@gmail.com
26 April, 2013
ANOTHER FOR MY COLLECTION
PAINTINGS BY MITA HIGTON
Professional artist, Mita Higton from Suffolk, very kindly painted two portraits of my beloved dogs Ruby and Lucy. Mita is incredibly talented and you can't imagine how pleased I am not only to own some of her work, but for the work to be based on a subject so close to my heart. Take a look in her gallery by clicking HERE or HERE.
You may also be interested in her husband's work, Stephen Higton.
Professional artist, Mita Higton from Suffolk, very kindly painted two portraits of my beloved dogs Ruby and Lucy. Mita is incredibly talented and you can't imagine how pleased I am not only to own some of her work, but for the work to be based on a subject so close to my heart. Take a look in her gallery by clicking HERE or HERE.
20 April, 2013
37 OF 86
West Pennine Moors
I went for a walk a few days ago, over the West Pennine Moors, close to the Winter Hill TV mast. It's on my doorstep and is a beautiful area, especially on a lovely sunny early evening. Whilst up there, I did this small 8"x6" sketch. It has no detail and especially lacks the wind-turbines in the distance, which are a feature of this landscape. When I improve my painting skills, I'd like to attempt a bigger study of this area.
Update - tried putting in the wind turbines but they look a bit daft :-)
I went for a walk a few days ago, over the West Pennine Moors, close to the Winter Hill TV mast. It's on my doorstep and is a beautiful area, especially on a lovely sunny early evening. Whilst up there, I did this small 8"x6" sketch. It has no detail and especially lacks the wind-turbines in the distance, which are a feature of this landscape. When I improve my painting skills, I'd like to attempt a bigger study of this area.
Update - tried putting in the wind turbines but they look a bit daft :-)
OPEN BOX M - DESKTOP POD
If you use the "OpenBox M" Pochade system for your oil painting as I do, you will know that it's not designed to sit on a flat surface such as a desk, so it is invariably used on a tripod which is fine when you're outside, but much less convenient when indoors.
Tonight, I designed a simple "Desktop Pod" which allows the Open Box M to be used on a desk with the minimum of fuss. I know a few people have come up with other solutions, but the ones I've seen are quite cumbersome and unwieldy (plus you have to find somewhere to store them when not in use).
My design is incredibly simple and to be honest, I don't know why OpenBox don't include something similar as standard - especially as they'll probably be able to come up with something even simpler!
Anyway, here it is. It's using a few bits and bats I found in the garage along with a 1/4" tripod screw from an old knackered tripod.
I went to the local art-club tonight and instead of being the only person there setting up a tripod to hold my painting-panel, I simply sat the panel on the desk using the new pod and painted a picture. It works superbly. I posted photos of this little mod to the guys at OpenBoxM and they said they might consider designing something similar :-)
One thing's for sure though, some sort of anti-scratch covers are needed for the bottom of those four screws because without some protection, they will scratch your table. Up to now, I'm just putting a mat down to protect any delicate surface that I use the palette on.
Tonight, I designed a simple "Desktop Pod" which allows the Open Box M to be used on a desk with the minimum of fuss. I know a few people have come up with other solutions, but the ones I've seen are quite cumbersome and unwieldy (plus you have to find somewhere to store them when not in use).
My design is incredibly simple and to be honest, I don't know why OpenBox don't include something similar as standard - especially as they'll probably be able to come up with something even simpler!
Anyway, here it is. It's using a few bits and bats I found in the garage along with a 1/4" tripod screw from an old knackered tripod.
I went to the local art-club tonight and instead of being the only person there setting up a tripod to hold my painting-panel, I simply sat the panel on the desk using the new pod and painted a picture. It works superbly. I posted photos of this little mod to the guys at OpenBoxM and they said they might consider designing something similar :-)
One thing's for sure though, some sort of anti-scratch covers are needed for the bottom of those four screws because without some protection, they will scratch your table. Up to now, I'm just putting a mat down to protect any delicate surface that I use the palette on.
18 April, 2013
JULLIAN FRENCH EASEL
A local artist here in Bolton, Brian Hartley, died some years ago and his old Jullian French Easel was passed to his friend and then he passed it on to his son before finally arriving at my door. It was in a right state, so I decided to refurbish it to bring it back to its former glory and give it another 30 years of life hopefully.
This sort of project is right up my street. I love to sit in the garage tinkering away, avoiding all those nasty soap-operas that my wife insists on watching for 3 hours a night :-)
First job was to strip the easel down and I was surprised at how many bits and bobs there were in total. If I hadn't taken lots of photos prior to disassembly, it would have been a right puzzle putting it back together, lol. Most of the work involved in the refurb was getting the layers of paint off that had built up over the decades. The area around the lower canvas-carrier was the worst and I couldn't get rid of every last bit of it, for fear of damaging the woodwork, so I had to accept that some faint traces would remain.
After copious amounts of sanding, I treated all the wood to a couple of applications of teak-oil with a lint-free cloth and then put the unit back together again, making sure that all the screws were nice and tight. I added a set of rubber feet at the bottom so the unit wasn't getting damaged when stood on the floor. I also added a couple of brass hooks to hold cleaning pot, rags, etc. When I'd finished, it felt stiff and strong and like new again! Very pleased with the overall result.
First job was to strip the easel down and I was surprised at how many bits and bobs there were in total. If I hadn't taken lots of photos prior to disassembly, it would have been a right puzzle putting it back together, lol. Most of the work involved in the refurb was getting the layers of paint off that had built up over the decades. The area around the lower canvas-carrier was the worst and I couldn't get rid of every last bit of it, for fear of damaging the woodwork, so I had to accept that some faint traces would remain.
After copious amounts of sanding, I treated all the wood to a couple of applications of teak-oil with a lint-free cloth and then put the unit back together again, making sure that all the screws were nice and tight. I added a set of rubber feet at the bottom so the unit wasn't getting damaged when stood on the floor. I also added a couple of brass hooks to hold cleaning pot, rags, etc. When I'd finished, it felt stiff and strong and like new again! Very pleased with the overall result.
Now to get it dirty again!
08 April, 2013
36 of 86
PURPLE HAZE
This is a 20" x 16" oil painting I tried recently. As usual, it didn't turn out as I'd hoped but it was popular enough with my sister to make her splash out on an expensive mount and frame, so it's now on illuminated display in her home. I was also asked to produce a few prints for friends, so at least it ended up being worth painting after all.
If nothing else, this piece has got me back in the swing of things and I've just finished preparing a number of 8"x6" boards. I was just reading Jeff Mahorney's blog and under the section called "WHAT HAVE I LEARNED", he wrote this...
This is the short version of what I've learned:
Consistent repetitive practice and tolerance/acceptance of negative emotions/thoughts are critical. Everything else will be learned on the way.
So that's it, I'm just going to paint, paint, paint and not dwell so much on the failures. I've seen Jeff's work (and other like Carol Marine), go from strength to strength through repetitive practise, to the point where they are now fabulous painters.
This is a 20" x 16" oil painting I tried recently. As usual, it didn't turn out as I'd hoped but it was popular enough with my sister to make her splash out on an expensive mount and frame, so it's now on illuminated display in her home. I was also asked to produce a few prints for friends, so at least it ended up being worth painting after all.
If nothing else, this piece has got me back in the swing of things and I've just finished preparing a number of 8"x6" boards. I was just reading Jeff Mahorney's blog and under the section called "WHAT HAVE I LEARNED", he wrote this...
This is the short version of what I've learned:
Consistent repetitive practice and tolerance/acceptance of negative emotions/thoughts are critical. Everything else will be learned on the way.
So that's it, I'm just going to paint, paint, paint and not dwell so much on the failures. I've seen Jeff's work (and other like Carol Marine), go from strength to strength through repetitive practise, to the point where they are now fabulous painters.
11 March, 2013
BOUGHT ANOTHER PAINTING
RACK & RUIN
by Carol Owens
I was in Garstang at the weekend and spotted this painting at the local Art Exhibition. It struck me as soon as I walked in, so I was extremely pleased to find that it was on offer at a measly £20!!!
It's a 16 x 12" study on a canvas board, done in acrylics. Looks fabulous mounted and framed!
by Carol Owens
I was in Garstang at the weekend and spotted this painting at the local Art Exhibition. It struck me as soon as I walked in, so I was extremely pleased to find that it was on offer at a measly £20!!!
It's a 16 x 12" study on a canvas board, done in acrylics. Looks fabulous mounted and framed!
15 February, 2013
35 of 86
CAMPER VAN (Oil)
Sadly, I gave up on this one and wiped it out. It just wasn't going the way I wanted it to. I had every intention of it being a quick "Pochade" style piece, but it quickly became laboured, so I stopped, photographed it and then painted over it.
I'm aware that the red van is "floating" and there's lots of textures missing from the lawn and building, etc. If I had carried on, I would have sorted all that out - I just didn't want to carry on with it :-(
I think I'll go back to doing simple still-life subjects until I get my colour-mixing skills honed and hopefully find my own "pallete".
Sadly, I gave up on this one and wiped it out. It just wasn't going the way I wanted it to. I had every intention of it being a quick "Pochade" style piece, but it quickly became laboured, so I stopped, photographed it and then painted over it.I'm aware that the red van is "floating" and there's lots of textures missing from the lawn and building, etc. If I had carried on, I would have sorted all that out - I just didn't want to carry on with it :-(
I think I'll go back to doing simple still-life subjects until I get my colour-mixing skills honed and hopefully find my own "pallete".
07 November, 2012
BOUGHT A PAINTING!
Fishing Boats at Mevagissy
10 x 8 Oil
It's not often that I buy a painting from another amateur artist (Patrick Ley-Greaves), but when one stands out at me like this one did, I just can't resist. To be honest, I felt like I 'stole' this from the artist because I offered a lower price than he was asking and he accepted. Now that it's arrived, I feel even more guilty because it's a beautiful painting, well framed and perfectly packaged.
Keep an eye out for more sales of Patrick's here on eBay.
10 x 8 Oil
It's not often that I buy a painting from another amateur artist (Patrick Ley-Greaves), but when one stands out at me like this one did, I just can't resist. To be honest, I felt like I 'stole' this from the artist because I offered a lower price than he was asking and he accepted. Now that it's arrived, I feel even more guilty because it's a beautiful painting, well framed and perfectly packaged.
Keep an eye out for more sales of Patrick's here on eBay.
10 October, 2012
35 of 86
RIVERSIDE (oil)
After a year's absence, I rejoined my local art-club and took my oils with me to have a play. Did this one on an 8x6" panel and didn't finish it, but I'm just going to leave it as it is. I didn't learn anything from it, so I'll just leave it there and move on. It was a nice relaxing evening and nice to see some friendly, familiar faces.
After a year's absence, I rejoined my local art-club and took my oils with me to have a play. Did this one on an 8x6" panel and didn't finish it, but I'm just going to leave it as it is. I didn't learn anything from it, so I'll just leave it there and move on. It was a nice relaxing evening and nice to see some friendly, familiar faces.
06 June, 2012
34 of 86
THE MEADOW (watercolour)
Decided to have another stab at the meadow painting but in watercolour (pen and wash). Lots of people preferred this to my oil attempt and it is now owned by a lovely lady in Wales.
Decided to have another stab at the meadow painting but in watercolour (pen and wash). Lots of people preferred this to my oil attempt and it is now owned by a lovely lady in Wales.
01 June, 2012
33 of 86
THE MEADOW
Wahaay!! An oil painting at last. I saw something like this on the internet and thought I'd have a stab at painting a flowery meadow myself. It didn't come out as I wanted, but when I posted this on FaceBook, it received an unexpectedly good amount of praise and my sister "claimed" it for her house.
Wahaay!! An oil painting at last. I saw something like this on the internet and thought I'd have a stab at painting a flowery meadow myself. It didn't come out as I wanted, but when I posted this on FaceBook, it received an unexpectedly good amount of praise and my sister "claimed" it for her house.
28 May, 2012
32 of 86
GLENCOYNE
Here's a monotone study that I think turned out pretty good for a change. Nothing special, but I do like it.
Here's a monotone study that I think turned out pretty good for a change. Nothing special, but I do like it.
25 May, 2012
31 of 86
COTTAGE WINDOW
Another watercolour - because my sister asked specifically for this one for her birthday, so I thought I'd show it here.
Another watercolour - because my sister asked specifically for this one for her birthday, so I thought I'd show it here.
10 February, 2012
30 of 86
MONOTONE STUDY
Oops!! Another watercolour :-( Never mind, for every watercolour on this oil-painting blog, I'll add another oil later, lol.
Oops!! Another watercolour :-( Never mind, for every watercolour on this oil-painting blog, I'll add another oil later, lol.
29 of 86
SKETCHBOOK PAINTING
This is a quick "Pen & Wash" sketch taken from (yes, you guessed it) my sketchbook. It's not an oil, but at least it means I'm still keeping a hand in one way or the other.
This is a quick "Pen & Wash" sketch taken from (yes, you guessed it) my sketchbook. It's not an oil, but at least it means I'm still keeping a hand in one way or the other.
24 January, 2012
28 of 86
3 COLOUR PALETTE
I painted this last night after watching a painting DVD. I used a 3-colour palette and really enjoyed it. I'm gonna stick with it because it certainly makes you think more about colour-mixing!
I painted this last night after watching a painting DVD. I used a 3-colour palette and really enjoyed it. I'm gonna stick with it because it certainly makes you think more about colour-mixing!
20 June, 2011
27 of 86
MOORED FOR THE NIGHT
This is a 24"x12" oil painting which I did as a "quickie" for a bit of fun, after seeing a demonstrator at the local art-club.
This is a 24"x12" oil painting which I did as a "quickie" for a bit of fun, after seeing a demonstrator at the local art-club.
19 June, 2011
26 of 86
WHITE CLIFFS
Another 20"x16" painting! I'm getting into these bigger paintings - they seem easier to do than fiddly 8x6's. Here's the outline for my next....
Another 20"x16" painting! I'm getting into these bigger paintings - they seem easier to do than fiddly 8x6's. Here's the outline for my next....
And here is the finished thing. I did a brush painting which was, in my opinion, a complete disaster and then I "rescued" it by turning it into a palette-knife painting.
25 of 86
DERBY ST, WESTPORT
This 20"x16" oil is what I did as an entry for the "Virtual Paintout" blog which is run by Bill Guffey. Basically, each month Bill chooses a new location from which you can paint using Google Street Maps. It's a great idea and half the fun is finding a suitable picture! Again, this painting hasn't worked out anything like I wanted, but I enjoyed doing it.
I think part of the reason that I enjoyed this one so much is that I moved all my painting gear out to the garage, where I don't have to worry about splashing smelly thinners all over, plus, there's a lot more space.
This 20"x16" oil is what I did as an entry for the "Virtual Paintout" blog which is run by Bill Guffey. Basically, each month Bill chooses a new location from which you can paint using Google Street Maps. It's a great idea and half the fun is finding a suitable picture! Again, this painting hasn't worked out anything like I wanted, but I enjoyed doing it.
14 June, 2011
06 August, 2010
COBRA WATER-BASED OILS
COBRA WATER MIXABLE
Just bought a set of Cobra Water-Based oils after hearing really good things said about them. Originally, they were sold under the Van Gogh brand name, but now they've recently been rebadged for whatever reason. According to users, these paints have a much more "buttery" consistency than the Artisan range.
Just bought a set of Cobra Water-Based oils after hearing really good things said about them. Originally, they were sold under the Van Gogh brand name, but now they've recently been rebadged for whatever reason. According to users, these paints have a much more "buttery" consistency than the Artisan range.
24 July, 2010
22 of 86
DUNSCAR DUSK
This was done with an 8x6" pochade and a palette knife. Paints used were Artisan Oils. I must admit to liking this and I have, in fact, mounted and framed it. The original looks FAR better than this photo.
This was done with an 8x6" pochade and a palette knife. Paints used were Artisan Oils. I must admit to liking this and I have, in fact, mounted and framed it. The original looks FAR better than this photo.
12 July, 2010
21 of 86
GLASS APPLE
Did this one at the art-club last Friday. First time I've been there for AGES! Used a palette knife. Not very good, but at least I painted something!
Did this one at the art-club last Friday. First time I've been there for AGES! Used a palette knife. Not very good, but at least I painted something!
16 January, 2010
20 of 86
05 December, 2009
19 of 86
08 February, 2009
#18 of 86
QIANG's RUBY RED
Here we go again with another Qiang painting. Can't help myself! I find his paintings so inspiring and whenever I'm off to the art-club on a Friday night, I print one off and have a go at it.
Here we go again with another Qiang painting. Can't help myself! I find his paintings so inspiring and whenever I'm off to the art-club on a Friday night, I print one off and have a go at it.
25 November, 2008
#17 of 86
#16 of 86
SLIPPERY SLOPE

Sorry, but I tried and tried to carry on with the oils, but I just can't seem to get any satisfaction or success with it right now. So rather than stop painting, I've jumped back to watercolours to see if I can keep my brushes wet at least! This is a copy of a much bigger version I did a while ago. I sold it for £150 in an exhibition.
09 November, 2008
#15 of 86
10 October, 2008
#14 of 86
QIANG's GO GREEN
Yet another copy of a Qiang Painting. I'm beginning to get a little more comfortable with the oil paints now. Not yet confident, but certainly comfortable. I found this one to be a little tougher because I had some trouble (as you can see) finding a suitable green mix with my fixed palette of six colours.
05 October, 2008
#13 of 86
#12 of 86
QIANG'S IRON BOWL
I'm always thrilled to receive my daily painting (via email) from Qiang Huang. His paintings are IMHO the best out there. Needless to say, I subscribe to many other great daily painters, but Qiang's are my favourites. The painting below is my poor attempt at one of Qiang's works and although it hasn't turned out as well as I'd hoped, I thoroughly enjoyed painting it.
I'm always thrilled to receive my daily painting (via email) from Qiang Huang. His paintings are IMHO the best out there. Needless to say, I subscribe to many other great daily painters, but Qiang's are my favourites. The painting below is my poor attempt at one of Qiang's works and although it hasn't turned out as well as I'd hoped, I thoroughly enjoyed painting it.
03 October, 2008
NEWSFLASH ~ I WON !!!
HORWICH ART SOCIETY
Went to the Horwich Art Society Annual Exhibition "Preview Evening" last night, over at the Library and was delighted to find that I was the overall winner, taking the Jack Birchall Memorial Trophy home! Couldn't believe it!
Painting is called "The Arrangement" and is full imperial size.
Went to the Horwich Art Society Annual Exhibition "Preview Evening" last night, over at the Library and was delighted to find that I was the overall winner, taking the Jack Birchall Memorial Trophy home! Couldn't believe it!
Painting is called "The Arrangement" and is full imperial size.
26 August, 2008
#11 of 86
STAITHES
And here's another. My friend gave me a beautiful painting of this scene and it's one of my most treasured posessions, so I thought I'd have a go at painting it. Doesn't even come remotely close to doing his painting justice, but I enjoyed it nonetheless. Please note that I did a quick "indoors snap" of this, so the colours are a little lost in the translation to a digital image. I'll try and redo it when I get time.
And here's another. My friend gave me a beautiful painting of this scene and it's one of my most treasured posessions, so I thought I'd have a go at painting it. Doesn't even come remotely close to doing his painting justice, but I enjoyed it nonetheless. Please note that I did a quick "indoors snap" of this, so the colours are a little lost in the translation to a digital image. I'll try and redo it when I get time.
#10 of 86
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Our Own Art-Club!
Each Friday we go to the local Art-Club in Horwich. It's a thriving club with a broad range of people of all ages and skill-levels. Apart from the regular painting sessions, we have many professional artists visiting us to demonstrate their skills and to run workshops.
But sometimes, it's nice when just a few friends get together mid-week too, and so here we are in Simon's "studio", benefitting from the skill and experience of his father, Brian Waddington. It looks a bit cramped in there, but we were just huddled together to fit in the photo frame :-)

And you can drink beer in this club! :-)
But sometimes, it's nice when just a few friends get together mid-week too, and so here we are in Simon's "studio", benefitting from the skill and experience of his father, Brian Waddington. It looks a bit cramped in there, but we were just huddled together to fit in the photo frame :-)

And you can drink beer in this club! :-)












































