86x8x6 LEARNING TO PAINT: February 2015

26 February, 2015

121 of 86

PAMPER DAY

20"x 16" ACRYLIC. I saw this painting during a visit to Bolton Art Gallery. There was an exhibition by Bolton Art Circle members and this really caught my eye. The original painting was a million times better than this one of course, but I had a lot of fun creating this poor imitation. Not much chance of selling it except maybe to a beauty shop :-)

120 of 86

FARNWORTH WORKSHOP

14"x 11" WC. I did this piece in a Judith Farnworth workshop and really enjoyed myself. No pre-paint drawing which was very difficult for me!

119 of 86

30 ZONE

14"x 11" WC. This just didn't work out at all! Very heavy, dull colours. Hate it!

118 of 86

UNTITLED x 3

16"x 12" ACRYLIC. Saw this image on the internet somewhere and decided to have a go at it because I liked the composition. I didn't, however, like all the greens but threw myself into it as a challenge. The first one came out looking like a pastel painting and I quite liked it! The second was just awful and then the third attempt was (to me) the best of the bunch. I didn't think so at first, but then it grew on me.

Our Own Art-Club!

Each Friday we go to the local Art-Club in Horwich. It's a thriving club with a broad range of people of all ages and skill-levels. Apart from the regular painting sessions, we have many professional artists visiting us to demonstrate their skills and to run workshops.

But sometimes, it's nice when just a few friends get together mid-week too, and so here we are in Simon's "studio", benefitting from the skill and experience of his father, Brian Waddington. It looks a bit cramped in there, but we were just huddled together to fit in the photo frame :-)

And you can drink beer in this club! :-)

INTRODUCTION

Thank you for visiting my blog! It's my intention to post each of my paintings here as I go through the learning process. As you will soon discover, I am pretty damned awful at painting, but I am, at least, determined to get better. Hopefully, my work will show improvement over the coming months.

Originally, this blog was just about learning to paint in oils, and I was going to do 86 paintings in quick succession on 8"x6" panels using my Jullian pochade box. But that didn't quite workout, so I'm now going to make it about oils, watercolours, acrylics, whatever!

The oil-paints I use are either Winsor & Newton Griffin Alkyds which are quick drying, or Cobra Water-Mixable oils. I am seeking to develop a very loose and impressionistic style as I go along. To me, detail is the enemy!

Some of the paintings will be copies of someone elses work (ie from books), but as I improve, I hope to do a lot of plein air painting instead. Luckily, I live close to many well known beauty-spots.

UPDATE :
Since starting this blog, I've bought some W&N Artisan Oil paints which are water-based. They seem no different at all from the Griffin Alkyds and are far easier to work with in terms of cleaning up afterwards. Only down-side of course is that they're not dry with 24hrs like the Griffins.

UPDATE :

Bought a 12"x 10" OpenBox M Pochade setup to compliment my tiny Jullian. After using it with a 10x8 oil-panel, I must admit - it seems far easier to paint bigger than smaller! This kit, by the way, is a cracking pochade box. A bit on the expensive side, but luckily, I got mine on Ebay very cheaply. It will take panels or canvases up to 18 inches wide which is extremely versatile.

I've recently become interested in Digital Painting and have started to post those too. I normally use ArtRage on the iPad and PC but have just started to learn Corel Painter 2019 which I have installed on my Microsoft Surface Pro 5.

If you like any of my Digital Paintings, you can always contact me on tommcquiggan@gmail.com and ask for a FREE COPY of the image. I will send you a copy of the file via email and you can then have it printed onto canvas (or photo-paper) at your local Tesco, etc, to the size that suits you.

Please note that some of my earlier attempts at digital painting were done at low-resolution, so they may not be suitable for large scale canvases.